Tennessee Modernism: Still House by Hayes Fleming

Structure: Stanley Still House
Location: Kingsport, Tennessee
Architect: Hayes B. Fleming
Date: 1973
Tidbit: In Kingsport, Tennessee, there lived a man who loved the water. His name was Stanley W. Still. Now Still loved the water so much, he opened a bait & tackle shop, so he could sell the tools of the sea. But alas, that proved not enough…Still wanted to get closer to the water! So, he hired a local architect to design him a house perched high on a cliff, overlooking the water.

That architect was Hayes B. Fleming. Fleming was born in Belzoni, MS (in 1924), and studied architecture first at the Institute of Design at IIT and then at Harvard University Graduate School of Design. From 1960-1964, Fleming was a principal along with Hubert Bebb in the Gatlinburg firm Bebb & Fleming. After a few years at the firm, Fleming left and moved out to Johnson City, Tennessee where he would have a solid career designing late modern residences, including Stanley Still’s house.

Tennessee Modernism: The Horizon Homes of Tennessee

Enough of this ephemeral stuff, let’s be concrete! In the 1960s, house construction was booming. New housebuilding materials, many created for WWII, were making their way into the hands of house builders.

The Portland Cement Association (PCA) saw this as an opportunity to bolster their trade. They created the Horizon Home program, a program designed to “give support and greater effectiveness to better home design” while also encouraging “broader interest in the many new uses of concrete.” The program functioned like this: Each year, the PCA would give awards (prize money) to houses that were designed by architects and built out of concrete. Then, they’d showcase these Horizon Homes in their brochures. All over the country, hundreds of these houses were designed, built, and showcased.

Much like the ALCOA Care-Free home program, the Horizon Home program eventually shut down because, as it turns out, 1960s concrete was not a cost-efficient material with which to build houses.

Tennessee had at least three Horizon Homes built (that we know of), one in each section of the state (east, middle, west). Only two of them have been discovered, so let’s have a look at those those.

Structure: Tennessee Horizon Home (East)
Location: Knoxville, Tennessee
Architect: Painter, Weeks & McCarty
Date: 1961
Tidbit: East Tennessee representin’! Now although the firm Painter, Weeks & McCarty is credited with this design, it’s highly likely that architect Bruce McCarty was the designer as this house shares some concrete features with another concrete house he designed in Knoxville (the Concrete Bent House).

Howard Cockrum was the house’s builder
Google Street View of the house (flipped to match the perspective of the ad)
Knoxville Horizon Home floor plan

Structure: Tennessee Horizon Home (Middle)
Location: Hendersonville, Tennessee
Architect: Hardie C. Bass
Date: 1962
Tidbit: This Middle Tennessee house was built by notable Nashville-area home builder Braxton Dixon.

Hardie C. Bass’s rendering of the house
You can see some of the concrete flourishes on the second story wall

Now, according to the literature, the West Tennessee Horizon Home was built in Germantown, Tennessee and designed by a Memphis-area architectural firm called Ost, Folis & Wagner. At the time of writing, however, I haven’t been able to discover the house. If I find it, don’t worry, I’ll update the blog.

Tennessee Modernism: Tennessee Valley Bank by Painter, Weeks & McCarty

Structure: Tennessee Valley Bank, Chapman Highway Branch
Location: Knoxville, Tennessee
Architect: Painter, Weeks & McCarty
Date: 1955
Tidbit: In 1956, Georgia Tech’s School of Architecture held an exhibit called A Half Century of Architectural Education. The exhibit featured 72 buildings (selected from over 500 entries) designed by school alumni. Three Tennessee buildings were featured in the exhibit, one of them was this building: the Chapman Highway branch of the Tennessee Valley Bank. The bank was designed by the Knoxville, Tennessee firm Painter, Weeks & McCarty. Two of the firm’s principals, Francis Painter Jr and Felder Weeks, graduated from Georgia Tech, hence the submission.

Tennessee Valley Bank circa 2019, 2nd remodel

Over time, the all-glass look fell out of favor with banks (probably due to break-ins), and the bank was remodeled (see below). The bank is currently undergoing a third renovation which probably won’t do it any aesthetic favors. This third remodel gave us a glimpse of the original teller counter and a bit of the original floors as well.

Bonus building!

Tidbit: I mentioned that three Tennessee buildings were selected for the exhibit, right? Well I’ve only been able to find photos of two of them, one is the bank (above) and the other is this gorgeous structure. Like many buildings, you’ll see, it eventually got, uh, reused and its new use doesn’t retain much of its former beauty.
Structure: American Legion Post #1
Location: Memphis, Tennessee
Architect: Thomas F. Faires
Date: 1955

Photo from the Georgia Tech exhibit
In 2018, the building was converted into a parking garage

Tennessee Modernism: The Hunter House by E. Fay Jones

Structure: Dr. Sam Hunter House
Location: Memphis, Tennessee
Architect: E. Fay Jones
Date: 1964
Story: In Memphis, Tennessee there lived a couple, Dr. Sam Hunter and his wife Jody. “Hunter” seems an ironic name for a doctor, one would think he’d be a park ranger or something, but I digress. In the late 1950’s, Jody was flipping through an architectural magazine when she spotted a black-and-white photo of a house architect E. Fay Jones had designed.

E. Fay Jones in front of his architectural drawing

Now, let’s talk about architect E. Fay Jones for a minute. Jones was born in Pine Bluff, Arkansas. He got an architecture degree at the University of Arkansas, obtained a master’s degree in architecture from Rice University, and then took a job teaching at the University of Oklahoma. He returned to Arkansas a few years later and ran his own architectural practice while also teaching at his alma mater (UofA). Jones was a close friend and protege of Frank Lloyd Wright, and their relationship would prove fertile ground for Jones, it would propel him towards a strong organic modernist streak, which would eventually cement his place as one of the most prolific modernist architects in Arkansas. But all of that fame n’ fortune hadn’t happened yet. So let’s get back to the Hunters.

In the early 1960s, the Hunters went to Fayetteville, Arkansas to meet with Jones and ask him to design them a house. Jones was reticent. He preferred to supervise his builds, but given that Memphis was roughly ~320 miles away, that would be impossible. After some discussion, the Hunters convinced Jones to design them a house in Memphis by promising him they’d “get a fine, conscientious builder so [Jones] could show [the builder] how he drew on a grid system.” Jones recalled, “It gave me a little confidence to do work farther from home.”

But before he would draw any plans, Jones asked the Hunters to keep journals about how they lived and what they did every day, so he could discover what was important to them. Dr. Hunter put it this way, “[Jones] said ‘I don’t want to know how many bathrooms you want.’ He wanted a philosophy of [our] life.” Chief among the Hunter’s desire were unrestricted vision to the outdoors, the ability to watch the weather change, and a house that brought the outside inside.

The house itself was constructed of heartwood tidewater cypress (a favorite of Frank Lloyd Wright’s due to its warm red tone and natural resistance to water). The woodwork (including 300 cabinets, lighting, seating, and tables) were built on site. The floor was made of flagstones, and Jones had a designated “stone hunter” whose job it was to artfully find-and-place the stones in such a way that they (1) looked aesthetically good and (2) used as little mortar as possible.

And thus it was that E. Fay Jones, notable Arkansas architect, designed a house in Memphis.

Tennessee Modernism: Fiser House by Hubert Bebb

Structure: Fiser House
Location: Knoxville, Tennessee
Architect: Hubert Bebb
Date: 1961
Tidbit: In the early 1960s, Knoxville, Tennessee had a prominent home builder named John Fiser. Joe had always wanted a lake house, so when the time came, he turned to notable Gatlinburg architect Hubert Bebb and had him design a gargantuan 4,600, tri-level, hexagonal-shaped house overlooking Fort Loudon Lake (later additions would bring the house’s square footage up to around 10,000 sq ft). Sparing no expense, John hired Jim Cleveland (an architect-designer) to design + decorate the interior with imported fixtures from Spain, wool carpets, and a Robert R. Bushong screenprint (for the focal point of the main room). The ink wasn’t even dry on Bebb + Cleveland’s plans before John began building the house (he was a builder, after all). The stonework alone took 6 months! Unfortunately, the house didn’t transition well into the modern era. The house itself was neat but, according to the Fisers, didn’t have all of the amenities one would want from a modern house. Although they put time and energy into seeing whether a rehab was feasible, they decided that it would have been too costly, and the house was demolished in 2012. The good news, though, is that much of the original house’s materials were used in a new build on the site. That said, we bid you RIP, hexagonal house.

Google Satellite view 2010
Google Satellite view 2013

Tennessee Modernism: the ALCOA Care-Free Home by Charles M. Goodman

Structure: ALCOA Care-Free Home
Location: Maryville, Tennessee
Architect: Charles M. Goodman
Date: 1957
Story: The year is 1957, and ALCOA (the Aluminum Company of America, now called Arconic) decided that more people should live in homes made out of aluminum. It was as much of a sales pitch as anything else…but it be quite the experiment.

ALCOA hired architect Charles M. Goodman to design what they called the “Care-Free” home. The houses were 3 bed, 3 bath, 1,900 sq. ft. and were filled with colorful aluminum (used both as the structure of the house and as decoration). These pictures from the brochure show just how ALCOA was planning to market the houses.

This Care-Free house (in Portland, Oregon) gives you a look at the house in real life, and showcases the prominent use of aluminum throughout.

To get folks interested in these unique houses, ALCOA decided to pay for + build the first batch. They planned to build 50, but only 24 were ever built. As it turns out, building a house out of aluminum is quite expensive. The houses were intended to cost around $25,000 ($230k today), but they ended up costing double that price — and thus weren’t affordable for the middle class market ALCOA was aiming for.

Luckily for us here in the Volunteer State, one of the the 24 constructed houses was built in Maryville, Tennessee. It’s been unsympathetically remodeled however the bones still look to be in pretty good shape (probably due to the sturdiness of all that aluminum).

Tennessee Modernism: Cabin by (and for) Gerhardt Nimmer

Structure: Gerhardt Nimmer Cabin
Location: Gatlinburg, Tennessee
Architect: Gerhardt Nimmer
Date: 1960
Story: Are you ready for a story of travel, love, and architecture? In 1908, Gerhardt Nimmer was born in Fond du Lac, Wisconsin to August and Ida Nimmer. August, Gerhardt’s father, was a carpenter and a house builder.

In 1934, Gerhardt fell in love and married a woman named Hazel. Gerhardt became a CPA, and the couple spent their lives working + building a family in Minneapolis, Minnesota. In order to get away from the hustle n’ bustle, they began taking vacations to Gatlinburg, Tennessee in the 50s.

Now, although Gerhardt was a CPA by trade, he had acquired a love of woodworking and carpentry from his father. Thus it should come as little surprise that, in the late 1950s, he picked out an 8-acre plot of land on a high bluff overlooking the Great Smokey Mountains and determined to build him and his family a cabin.

Recruiting some skilled laborer friends from back home in Minneapolis, Gerhardt designed + built a glass-filled mountaintop cabin for him and Hazel. The simple, Miesian-style house still sits atop that hill: a simple 1,120 sq. ft. monument to what hard work, love, and resilience can achieve.

Tennessee Modernism: The Modernism of Maryville College

Maryville College was founded in 1819 as a Presbyterian school geared towards training local ministers. But by the 1940s, the college was growing more diverse, and the old buildings were growing crowded. When a small fire burned down the chapel where music classes were being held, the school began an ambitious plan to update its campus architecture. With an eye towards the future, and hoping to reflect the contemporary nature of its new student body, the university understood that mid-century modern architecture would be a natural fit for the look of the new buildings.

Alright, let’s take a look at the various modernist structures built on campus.

Structure: Fine Arts Building at Maryville College
Location: Maryville, Tennessee
Architect: Schweikher & Elting
Date: 1950
Story: The building placed a heavy emphasis on musical performance space because, at that time, roughly 2/3 of Maryville College’s students took at least one or more music courses. The funding came from a Chicago couple, Mr. and Mrs. Glen Alfred Lloyd. Mr. Lloyd, who had attended Maryville College, was the brother of the current president. Mr. Lloyd had gone on to become a successful lawyer in Chicago. Paul Schweikher & Winston Elting’s firm (Schweikher & Elting) were also based out of Chicago, so this may have been how an East Tennessee school connected with that particular architectural firm.

The building itself received national acclaim, with Architectural Record running articles on both the building’s construction (in June of 1950) and the final product (Dec of 1951). Let’s have a look at a panoply of photos from when the building was created all the way up to the modern day.

Of note, the organ inside of the building’s auditorium was designed by the notable organ builder Walter Holtkamp (out of Ohio) in concert with architects Schweikher & Elting

Organ designed by the Holtkamp Organ Company of Ohio

Structure: Samuel Tyndale Wilson Chapel
Location: Maryville, Tennessee
Architect: Schweikher & Elting, Barber & McMurry (associates)
Date: 1954
Tidbit: To replace the old chapel (which had burned down), the college built a complex right next to the Fine Arts Building which contained a new small chapel, a 1,150-person auditorium, a 450-person theatre stage, along with classrooms and offices.

Structure: Margaret Bell Lloyd Residence for Women
Location: Maryville, Tennessee
Architect: Schweikher & Elting, Barber & McMurry (associates)
Date: 1959
Tidbit: Pictures of this modernist dorm are hard to come by, but the structure was made of light gray brick, gray concrete, aluminum and gray-tinted glass. The dorm rooms featured built-in furniture (a desk, a dresser, and shelving) — all trimmed in brown ash wood. The lobby had floor-to-ceiling glass, while the non-glass walls were clad in tangerine, teal blue, turquoise, gold, green, black, and white. The lobby opened onto a small garden as well.

Frances Massey, dean of women, stands in front of the new women’s dorm

In 1960, a Maryville College bulletin claimed the college was looking to fund-and-build a new science hall. Designed by Knoxville firm Barber & McMurry, it’s not clear whether this was ever built.

Rendering of Maryville College Science Hall by Barber & McMurry (circa 1960)

Eventually Maryville College decided it wanted its campus architecture to go back to everyone’s favorite university style: collegiate gothic. In 2007, the Fine Arts Building and Samuel Tyndale Wilson Chapel were demolished to make room for new buildings. I could not bring myself to post a photo of the demolition but if you’re interested, there’s a Flickr album that contains photos of the razing.

Tennessee Modernism: Residence by (and for) Joseph Goodstein

Structure: Joseph Goodstein Residence
Location: Knoxville, Tennessee
Architect: Joseph S. Goodstein
Date: 1964
Tidbit: The Sequoyah Hills neighborhood of Knoxville, Tennessee is known for large traditional style houses. But peppered in among them are a handful of interesting mid-century modern style residences. This, is one of those houses. The strikingly modern home was designed by architect Joseph S. Goodstein as his personal residence. Joseph’s father (Ben) was a local kosher grocer (say that five times fast) in Knoxville, so after Joseph finished his architectural studies at the University of Cincinnati he came back to town, got married, and started his own architectural firm with Sam Good. The firm was called Good & Goodstein, although if you ask me, they could have called it Good+Stein.

In any event, Joseph lived in this house for 42 years until the current owners purchased it. The exterior (which is in excellent shape) features a slight butterfly roof reminiscent of Mario Bianculli’s modernist home in Chattanooga, Tennessee. It’s wonderful to see this house still proudly sitting in stark contrast to the more traditional style homes surrounding it.